We should have known this wasn't going to be a normal night at the opera when the crowd at the Arena at Verona started doing the Mexican wave. I'd only seen the Mexican wave at the football, so it was quite a shock - at the opera no less, but at Verona's Arena? But maybe that should have been less of a surprise, given that the ancient Roman amphitheatre - Italy's most perfectly preserved and built in AD30 - was a venue for gladiator matches long before it showed Aida. Admittedly, the opera hadn't started yet. Well, it had eventually begun after a lengthy delay of a couple of hours, as the mightiest and most foreboding black clouds we'd ever seen started rolling in before deciding to settle upon us. But then the performance was stopped soon after so the stage hands could batten down the set after the wind began to howl, knocking over an ancient Egyptian pillar or two that had so far stood the test of time. But the dramas had begun much earlier that evening...

When I'd gone to collect the tickets I'd been told would be easy to get from the press office, naturally they weren't there. Although I was encouraged to come back later while they would "see what they could do", when I returned there were no tickets, the opera was about to begin, and (despite showing my business cards and referring to the letters of commision I'd previously emailed; we were there researching guidebooks, you see), the guy in the press office melodramatically accused me of simply trying to get seats for free. I reacted appropriately, turning on my heels and storming off to the box office, determined to buy the most expensive seats left in the house and return to throw them in his face, then head off to dinner. However, when I asked the woman at the box office what seats were left and explained our predicament, she sincerely apologised - unfortunately there weren't any decent seats left, they'd sold out weeks ago, but she'd give me a couple of tickets up top for free! Thinking this must be karma, I forgot about the press guy and we charged in and hurriedly hiked all the way up to the top section to our giddy-inducing seats, well, um... steps. A couple of hours and a couple of beers later, and somewhat lightheaded from the altitude, we were being rained upon as those around us rose and cheered with each Mexican wave.

We contemplated leaving several times, but we couldn't. We were working after all and needed to experience this. However, when Aida finally started, we were wishing we had. From those seats up in the clouds we could barely hear the opera. We could barely see it either, but we had expected that, however, we somehow expected the acoustics (or speakers) would carry the sound. No such luck. All we could hear were the giggles and nonsense-talk of the American teenage girls in the last row behind us as they sent text messages and took photos of each other on their cell phones. And just as the Mexican wave had begun so a tidal wave of bored chatter started. People began showing eachother their new iPhones and their holiday photos. Nobody could hear anything, but nor did they seem interested in watching either. It suddenly dawned upon me... the people up here weren't really there for the opera. It was all about the spectacle. If they had come for the opera they'd have bought the expensive seats down below weeks ago, the seats where you could actually see the stage and hear the sound. They just wanted to be able to say they'd been. Or to prove they had by showing their friends a photo.

What is it about cute smiling kids in traditional costumes in foreign countries that we find so disarmingly charming? Flick through the back pages of a travel magazine to the ads for tours to South America and Thailand hill tribe treks and there'll be a couple of rosy-cheeked little kids in colourful clothes leading some llamas or sitting on the steps of a church smiling sweetly. In this case the children in my picture are posing at a lookout in front of vistas of the Golden Triangle, the point where Laos, Myanamar (Burma) and Thailand meet. We would never use a guide if travelling for pleasure but when we're working and reviewing a resort we try to get a taste of the activities available to guests to best assess the experience on offer. At the Four Seasons Tented Camp at the Golden Triangle, there's a range of activities, from mahout training and elephant treks to excursions to the Opium museum, Burma, and the Golden Triangle. The latter involves a ride on a longtail boat to the very centre of the meeting of the waters of the Mekong and one of its tributaries so you can see the three countries around you, rides on a songthaew (the open-air truck typically used as a taxi in Thailand) and tuk-tuk (a motorised Thai rickshaw), a stroll around a market to see the squirming creatures and crunchy insects that are the local delicacies, a visit to a temple to learn how to make a wish and be blessed by a monk, and this trip to the lookout. While we came to the conclusion that the excursion was a wonderful compact introduction to Thailand for first-timers to the country, we were uncomfortable (once again! - see the previous post by my partner Terry) with the song and dance show. Okay, so the kids didn't dance. But they did sing, they recited something to the effect of "You can take our picture for 20 baht" in half a dozen languages, they posed in front of the Golden Triangle, their hands first in the traditional Thai wai gesture and then fingers formed in rabbit ears, and they smiled very sweetly. (We noted, however, that their most sincere and spontaneous smiles came at the end when we handed over the money.) This form of staged tourism is cheesy and awkward at the best of times - don't you think? - but it's quietly discomforting when it involves little kids who should be in school. While we adored our eager young guide, we were embarrassed and uncomfortable with being placed in a position where we felt required to take photos of the children, yet we didn't not want to take the snaps and insult both our guide and the kids. So we took our pics - Terry using the opportunity to get some insightful close-ups of the children, me politely following our guide's suggestions - and we very generously tipped the kids. We told ourselves the money was paying for their education and putting food on their family's table but still we felt our uneasy. If there's one thing that I don't find cool about travel, it's tourism. And the more staged it is - it doesn't matter how cute the kids are - the more it makes me want to stay at home.