Burj Khalifa and How Bridges, Buildings and other Big Things Unite Nations
I'm a fan of Twitter but I was on deadline and only half-following tweets a few nights ago as messages streamed in from people in the UAE at the inauguration of the world's tallest building Burj Dubai, since renamed Burj Khalifa. A few made me giggle, like that of @OmaReina who re-tweeted @trebbye:"#BurjDubai is now Burj Abu Dhabi...I mean #BurjKhalifa, as stated by his highness", a reference to more affluent neighbouring emirate Abu Dhabi's financial bailout of its debt-ridden cousin Dubai. (For further explanation, see this piece by Dubai's Financial Times writer Simeon Kerr). While there were the usual expressions of cynicism from Dubai's many critics (some very witty), I was drawn more to tweets by Emirati and expat tweeps for their raw emotion and passionate expressions of elation and pride. As the messages streamed in at a rapid pace by tweeps determined to see the symbolic structure become a trending topic on Twitter, I have to admit I got a tad emotional and wished I was there with friends. But, more than anything, like the Sydney Opera House and other great iconic monuments, the Sydney Harbour Bridge is a source of immense national pride. Its completion not only united the city when it connected Sydney's northern and southern shores in 1932, but it also united a nation during very challenging times. I suspect Burj Khalifa has done the same.
P.S.my tweets motivated this lovely post from Julie on Matador: How Twitter Helped Me Care About the Burj
The posts I will be popping up on my poor neglected travel blog over the next few days have been a long time coming. Some I drafted back in Beirut in November, others I scribbled almost a month ago while I was recovering from bronchial pneumonia from a hotel room in Bangkok where we were working on a guidebook. That diagnosis, by the way, based on nasty symptoms like coughing up blood, came from my doctor uncle in Australia by email because I was too busy working to get to a GP. It would be an understatement to say that 2009 has been a hectic year of travel and writing for Terry and I - something I only recently appreciated glancing at all the books we've written which have been published this year sitting on the shelf beside my desk here at my family's house in Bendigo, Australia: Footprint Italian Lakes, Thomas Cook Northern Italy, and Thomas Cook Travellers Calabria, plus a handful of books I updated for AA and Thomas Cook. Then there are others we've written that I haven't even seen (like the Rough Guides Clean Breaks, which I contributed to) or are not yet published, like the new edition to the Rough Guide to Australia (for which we updated four and a bit states - half the country! - on a four month-long road trip from October 2008 to February 2009), and another first edition, Back Roads Australia for DK. I skim down this page scanning my posts, and while there have been few compared to last year or the year before, when I stop at In Print and Online and then take a look at that archive I see why. We may continually read the claims that print is dead yet we've spent more time writing for magazines this year than any other, and up until we returned to guidebooks in December we'd spent six months solid doing little else but write for magazines. The irony is that we've now been hired by HomeAway Holiday-Rentals for a year to travel the world, stay in their properties, and blog about the experience - something I never could have predicted. So the travel blogging that for me had been an escape from my 'day job' as a travel writer now becomes our main source of income. Print is still not dead, however - as much as our new client appreciates social media, they are still going to pay us bonuses for every article we get published in a magazine or newspaper. So I'm expecting it's going to be another busy year, but I'm pleased to say that we'll be slowing down considerably. No longer will I be envying a donkey his pace. More on our new project, Grantourismo soon.
Pictured? Fortune tellers in Bangkok.
Which hotels do travel writers check into when they go on holidays? That's what Mark Hudson, a writer himself for The Sunday Times, among other publications, was keen to know, so he asked 50 of them (including myself) and published their recommendations, 'Where travel writers pay to stay', on his site 101 Holidays. I've been meaning to share this one with you for a while. If you're a regular Cool Travel Guide reader, you'll know (from this post and others) that I've been increasingly frustrated with user-generated content of the kind you get on Trip Advisor, and find myself looking more and more for recommendations by experts, so I was pleased to see Mark do this. Ah, but you say, aren't all hotel reviews in magazines and papers written by experts? Well, yes they are, but they aren't always the kind of hotels that the experts actually stay at when they have a choice. Sometimes hotels are reviewed because they're 'hot properties', newly opened, relaunched, or because an advertiser/business partner has asked for them to be reviewed. Pictured above is a detail from the sitting room at the Novecento, a hotel we stayed for pleasure, not work, when we attended the Venice Biennale in June - it's not new and not 'hot', but it has loads of charm, is in a wonderful location, and the staff are some of the best around.
While the vast majority of comments I get on Cool Travel Guide are wonderful and warmly welcomed, I've received a few comments over the last year that have caused me to reflect upon what Cool Travel Guide is all about and what I'm prepared to post and what I'm not and to come up with a posting policy. Here it is: while I welcome comments in response to posts I've published on Cool Travel Guide and other comments that might be slightly off-topic but touch on subjects this blog covers (see this post 'What is Cool Travel Guide?' to find out what those are), there are some comments that I won't post and won't address and they are:
4) comments that relate to content I've written for other publishers that has nothing to do with Cool Travel Guide content. For example, an anonymous person recently left an angry comment in relation to a review I wrote on a hotel for a Lonely Planet guidebook because their experience differed remarkably to my own. If you have a bad experience at a hotel, my advice is to complain to the hotel manager during your stay. There's nothing they can do about a noisy hotel room after you leave or if you leave an anonymous comment on Cool Travel Guide. If you've maintained your anonymity, I can't even follow it up with the hotel manager to find out what happened. Complain to the manager at the time of your stay and they can probably move you to another room or help find you alternate accommodation. If I didn't mention the noise in my review, then I obviously didn't experience it myself, but don't question and criticize my reviewing skills nor expect that I'll upload an anonymous comment that does so.






